(photo by Cliff Cardinal)Dark Theatre to Die For
by Jim Murchison
The set for huff is stark. There is a chair, a couple of plastic milk crates with beer bottles in them. Long white plastic drapes hang in the centre of the stage and various images can be projected on them.I do not want to give the storyline away so I am going to draw from writer/performer Cliff Cardinal's and producer Elizabeth Kantor’s own defining statement. The focus is “on the creation of new transgressive, cathartic works that explore the pain of people living in taboo subcultures”.
What this means for an audience is that unless you are already intimately familiar with the subculture and despite everything you think you may know, you still may find yourself shocked, jolted or even repulsed. Cardinal writes very well and as an actor actively engages the audience to get every reaction he can from them even though his characters may feel that we are nothing more than a hallucination brought on by auto asphyxiation or gas inhalation.
In creating his theatre Cardinal has no taboos. Suicide, substance abuse, physical abuse, incest, masturbation and every dark corner of the human psyche is examined. There is humour in the play, particularly by a character called Trickster, but even the pocket of people that were deeply invested in the jokes audibly gasped at a young boy’s imitation of his dead mother.
Producer and production designer Kantor is greatly assisted by Rebecca Miller’s lighting design.
There is no judgment of the characters in this play and there is also no solution offered. Society often brushes past and would prefer to ignore the elements that are broken. If there is a message in huff, it may simply be: take the time to see us, no matter how difficult it might be to look at us.
Running Time: approximately 1 hour with no intermission
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