Mont(y) Royal
by Gaëtan L. Charlebois
Calli Armstrong is the co-founder and artistic director of Beautiful City Theatre. A director, actor, and drama therapist, she has worked with a number of theatre groups and not-for-profit organizations using theatre to build community (Centre for the Arts and Human Development, Montreal Playback Theatre, Third Space Playback). In addition to working with Beautiful City Theatre, Ms Armstrong is presently an adjunct professor completing a postdoctoral fellowship in Concordia University’s Creative Arts Therapies department.
CHARPO: How concerned are you, when you go into a project like this, that the source material - The Full Monty - is just too well known to bring people into the theatre?
ARMSTRONG: While the script for The Full Monty - The Broadway Musical was based on the 1997 hit film, we’ve been pleased to discover that this has not deterred ticket-buyers. Quite the opposite, in fact. The Full Monty seems to be a show that people are eager to see live. The Full Monty is about a group of unemployed steel workers that are down on their luck and decide to form a male striptease act. In addition to being an enjoyable comedy, the show is a beautiful and thought-provoking story of struggle and acceptance. I think the storyline is one that resonates with many people.
To our knowledge, this show has never been done in Montreal. We’re excited to produce it here and we’re thrilled with the public’s expressed interest.
I’m a fan of the movie myself, but I’ve made sure that the choices we made in developing this show are grounded in the text, as opposed to being inspired by the film. I would hope that there’s something in Beautiful City Theatre’s version of The Full Monty for fans of the movie as well as newcomers to the story.
Some stories are just meant to be brought to life on stage, and The Full Monty is definitely one of those stories. I think this is a show you can see again and again.