Showing posts with label marilyn after. Show all posts
Showing posts with label marilyn after. Show all posts

Wednesday, April 30, 2014

In a Word... Actor Nonnie Griffin on Marilyn After


Hey, Nonnie, Nonnie!
by Gaëtan L. Charlebois

A veteran of Canadian theatre and Andrew Allan’s fabled CBC Stage radio series, Nonnie Griffin is indelibly remembered for her appearances in such Toronto productions as Hello, Dolly! Waiting for the Parade, Tremblay’s The Impromptu of Outremont, Ring Round the Moon, and The Sea – for which she was named Best Actress of 1977.  She is also the author of Sister Annunciata’s Secret, based on an actual incident, in which she plays six characters. Her play brought audiences at the 2012 Edinburgh Festival to their feet and high praise from critics. She is also the author of SHOWBIZ and other addictions, published by Mosaic Press and endorsed by writer Timothy Findley, who called her “magical”.

CHARPO: You have had, especially considering it’s Canada!, a fabled career. What were some of the highs (and, if you like, the lows)?

GRIFFIN: The highs have been many. When I began, there was only one repertory company in the country, the Canadian Repertory Company (CRT)  in Ottawa and I was asked to be the resident ingenue at 19 years of age. William Hutt was the leading man, William Shatner (of Startrek) their juvenile, plus Eric House, Barbara Chilcott as well as other notable Canadian performers. CRT had hired the new famous and excellent actor Christopher Plummer the year before.

We had one week to rehearse any production but the standard of acting was always excellent even with the classics such as Chekhov's The Three Sisters. Another 'high' was being discovered by the great Andrew Allan in Lister Sinclair's new play, The Blood is Strong, who cast me opposite John Drainie. I went on to do countless productions in Mr. Allan's 'Stage Series' and other radio work. This was what they now call The Golden Age of Radio and it was.  Later, I was in the first musical production of Anne of Green Gables and from there, went to England for three years, the highlight being asked to be part of the Bristol Old Vic theatre company and travelling with the company to Lebanon with two Shakespeare productions in 1960. (cont'd)