by Jim Murchison
The world of art and performance are very tightly interwoven and there are a great many overlapping interests.
Now that I have worked with some of Ottawa's indie producers I have to think about sending out other writers to review shows that I would have pounced on myself so as to avoid a conflict of interest where if I gave a glowing review it might appear that I came from a point of bias. My first such decision was to review White Rabbit Red Rabbit, a brilliant concept piece written by Nissam Soleimanpour. My first thought was I shouldn't because it was a Company of Fools production which is helmed by Scott Florence who I had just performed with in Taming of The Shrew.