Coma Unplugged
Cunningham and Hunter |
There is another playwright named Tremblay in Quebec: Pierre-Michel. This one is no slouch either. Many of his previous works have been gorgeous, haunting tales full of "language" and yet still quite, quite playable. Coma Unplugged goes inside the head of a man who...well, look at the title.
When people talk about the iconic Cavalleria Rusticana/I Pagliacci combo (opening this week in Edmonton), they are usually just talking about Pag. We beg to differ. Yes, Pag is a great potboiler of a thing, but the music in Cav is so magnificent you can almost close your eyes and still get the pleasure of the evening at the opera. When the carillon sweeps into the magnificent rhythms, when the horseman of the title sings his rustic anthem, when the mass is celebrated, right to the shrieks which end the piece, you only need to listen to understand why this little jewel lives on.
When people talk about the iconic Cavalleria Rusticana/I Pagliacci combo (opening this week in Edmonton), they are usually just talking about Pag. We beg to differ. Yes, Pag is a great potboiler of a thing, but the music in Cav is so magnificent you can almost close your eyes and still get the pleasure of the evening at the opera. When the carillon sweeps into the magnificent rhythms, when the horseman of the title sings his rustic anthem, when the mass is celebrated, right to the shrieks which end the piece, you only need to listen to understand why this little jewel lives on.
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