Ah! The Potential!
by Dave Ross
@dmjross
Bad Dress Productions has returned to the Toronto Fringe with their original musical #WeddingMusical (you pronounce the hashtag, but we all know that anyways, right?). It’s got a lot of potential to be a Fringe gem – a live orchestra, powerful voices, and a neato book.
Unfortunately, on opening night, most of this potential was lost. The production was plagued by a number of technical issues, all related to audio. Every instrument is amplified, some to the point of obliterating the other instruments (I’m looking at you on the bass). The performers are amplified as well, but not above the music. I missed the entire opening number – it was a lot of thumping bass, and a bit of shoo-wop from the performers. After that, mics remained on when actors were off stage, mics were picking up breathing, feedback was painful in the first half of the show, and to cap it all off, there were some serious intonation issues, both with singers and instruments – perhaps due to a lack of monitors for the performers?
