Debut play by Omari Newton critiques both hip hop and authority figures
by Sarah Deshaies
You’re waiting amongst dozens of other people, quietly chatting and mingling. Then the sirens blair, and a svelte, First Nations transvestite bursts into the crowded lobby, eager to stroke and chastise the waiting audience members. She works the room in red, lace-up heels and a leather jacket.You’re her “tourists”, on a journey into a tale of mythological hip hop and riotous rebellion. Welcome to Sal Capone: The Lamentable Tragedy Of, the brave if sometimes long-winded debut of playwright Omari Newton.
