Sunday Feature: Interview - Marie-Hélène Falcon, Artistic Director, Festival TransAmériques

(photo by Julie Gauthier)

The Pleasure of an Audience

by Chad Dembski

Marie-Hélène Falcon’s career has followed a path that explores the ever-shifting frontiers where art and ideas meet and interact in a co-mingling of tradition and innovation. Her artistic direction hones in on the essential – the tangible essence of a strong, vibrant stage piece, the quality of an artist’s presence in the flesh, the curiosity and enchantment of an audience keen to discover the new and the unknown. For over 30 years, Marie-Hélène Falcon has been committed to presenting the best of contemporary creations from the international scene. The co-founder of the Festival de Théâtre des Amériques, she was its general and artistic director as of 1983, going on to create Théâtres du monde in 1996 and Nouvelles Scènes in 1997. In May 2007, the Festival de théâtre des Amériques was transformed, becoming the Festival TransAmériques. Now a major annual showcase of dance and theatre, the new festival places Montreal in line with other major international events where the contemporary performing arts are the raison d’être of the festival, thus reflecting and updating the ideals underlying the original concept. Marie-Hélène Falcon is frequently invited to attend international festivals as well as conferences on issues facing the performing arts. She has received several awards, including being honoured as a Chevalier de l'Ordre des Arts et des Lettres by the French government, and being named an Officier de l'Ordre national du Québec.

Let it be said I went into the Festival TransAmériques (FTA) offices the morning they had to publicly announce that Helen Lawrence was cancelling out of the festival. This event has since exploded online into the troubling relationship between Actors Equity, producing theatre companies and increasing problems with touring. While I will leave my opinion out of the debate, it is extremely sad that the very first time a Canadian English theatre production was going to open the Festival TransAmériques it had to be cancelled due to mismanagement (I’ll let you look up all the articles posted the past week from each organization and make your own decision).

I have been going to the FTA since 1997 and its various works have brought me enormous pleasure, inspiration and challenge for almost 20 years. It was a pleasure to interview Marie-Hélène Falcon, a Montreal cultural icon who founded the festival back in 1985 and grew it into Canada’s largest international theatre and dance festival.  Its influence on the PuSh festival in Vancouver and World Stage in Toronto is massive and almost impossible to really measure as it was the first. 

CHARPO: How did it all start back in 1985?  

FALCON:  I founded it with Jacques Vezina, we both came from L'Association du Jeune Théâtre.  I was convinced Montreal needed an International theatre festival at that time.  I am still convinced that Montreal needs an International Arts Festival. We just put up the project and did it, it was not easy, there were lots of barriers. We had to convince everybody, of everything, including convincing the governments to give us money. We needed the community to trust that we were going to promote their work. We also had to convince the audience that they would have a great time, knowing what was happening around the world by showing side by side, our companies and the big international stars around the world, theatre-wise.  It was a huge job, but we did one, then two, then three and now 30 years later, here we are.  So the big thing in 2007 when we lost the dance festival (FiND) was, what are we going to do with that?  I proposed what the festival is now, and that project was accepted by the arts councils and by the funding bodies. And now by both milieu and the audience as well.  They cross from dance to theatre and theatre to dance. It’s easier from theatre to dance, it’s a bit more difficult from dance to theatre. But it’s improving, the challenge is to interest all of them to more than one discipline.