Meaghan Moloney and Miche Braden (photo: Bruce Monk)
Shadow-Boxing
by Edgar Governo
In the programme accompanying the Royal Manitoba Theatre Centre's world première adaptation of Gone with the Wind, playwright Niki Landau discusses the process of asking herself why such an adaptation of the novel by Margaret Mitchell should be done. She concludes that the universal theme of survival in the original story continues to resonate with audiences around the world, calling out for a new adaptation that speaks to today's struggles and inequities, but I still find myself looking for a satisfactory answer to Landau's original question.

