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by Joe Vermeulen
Bashir Lazhar, a franco-Canadian play by Evelyne De La Chenelière, is a fantastic exploration about racism, suicide and death, love and loss, and institutional failure. The play opens with a comic introspection where Bashir attempts to work out how best to introduce himself to his new class. As a supply teacher, he has to work out how far the class has progressed. While the opening and much of the show is comic, through his lessons we delve deeper into his experience as a refugee and the strength of children.
Haysam Kadri, in the title role, is simply phenomenal. He clearly emotionally connects with the character and thus the audience. We were moved to tears by his experiences of institutional failure, both of the immigration system and in his school. We yearn with him to express the feelings of his students after being witness to a horrific tragedy and we feel his frustration at the repeated attempts to silence and belittle their collective experiences. While the dialogue is only in English, every time he writes on the chalkboard he writes in clear French, solidifying the illusion that was built that we are watching a show in French, but hearing the words in English. This wonderful homage to the origins of the play in Quebec seemed so natural that it took a moment to realize what had happened.
