by Élaine Charlebois
Showing posts with label élaine charlebois. Show all posts
Showing posts with label élaine charlebois. Show all posts
Wednesday, February 5, 2014
Review: (Montreal) Organon
Obscurity
by Élaine Charlebois
In a word, Organon was…confusing.
A performance piece created by Alexander Wilson and Mélanie Verville, Organon attempted to shock the audience with its eerie sound effects and haunting, alien-like costumes. Having tried to de-code, without any luck, what the entire show was about, I left Théâtre La Chapelle feeling unsettled and confused by my experience.
by Élaine Charlebois
Labels:
élaine charlebois,
la chapelle,
montreal,
organon,
theatre
Wednesday, January 23, 2013
Review: (Montreal) The Glass Menagerie
In The World of Glass
Going back to the source of a well-known Williams work at McGill
by Élaine Charlebois
In a word, Rowan Spencer’s take on Tennessee Williams’ The Glass Menagerie was fantastic.
As Spencer notes in the programme, he based his interpretation on Williams’ original edition of The Glass Menagerie, an uncommonly performed version of the story. While this version of Williams’ play may be less known, the cast and crew members of McGill’s Players’ Theatre were nevertheless successful in delivering a vibrant and captivating performance of the iconic playwright’s work.
Labels:
élaine charlebois,
Glass Menagerie,
mcgill players
Thursday, January 10, 2013
Review: (Montreal) Billy Elliot
It's Not the Movie
by Élaine Charlebois
Following a similar (yet not identical) storyline to the film, Billy Elliot the Musical tells the story of a young boy from a working class family who yearns to become a ballet dancer in spite of his family’s disapproval. The story is set in a small town in Northern England during the historic miners’ strike of 1984/85, a battle that both Billy’s father and older brother are involved in throughout the story. Realising that his desire to become a dancer will not go over well with his macho father who insists that he take boxing lessons, Billy decides to secretly attend Mrs. Wilkinson’s ballet classes after school. Noticing the boy’s great talent, Mrs. Wilkinson offers to coach Billy privately and ultimately encourages him to audition for the Royal Ballet School in London. However, in order to achieve his dream of becoming a ballet dancer, Billy must first deal with the family and social tensions that prevent him from attaining his goal.
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