Sunday, November 30, 2014

Captured, November 30, 2014

Another magnificent video from David Cooper which also happens to redefine what dance can be. Dancer: Linda Arkelian, Music: Stephan Moccio. Get ready to be hypnotized.

Friday, November 28, 2014

Review: (Montreal / Dance) Infinity Doughnut

(Photo: Svetla Atanasova)
The Pleasure of Being Together
by Chad Dembski, Editor, Dance

Upon arriving just on time to Monument National I saw an extremely long line for the coat check. This was the first request of many to shed your outer world belongings and join the performance space area. I left my backpack and shoes at the side, stood against the back wall and held hands with two different strangers. Then as a long line of curious audience members we carefully navigated down a flight of stairs and walked in and around the space.  This instantly brought me back to elementary school and the few exhilarating days we would visit a non-school location. There was a giddy nervousness amongst most of the crowd that chose to go along for the ride; some audience members refused to take their shoes off and join in. Still this simple, opening action helped bring an instant intimacy to the piece and for me a personal awareness of each and every audience member.

Wednesday, November 26, 2014

Review: (Montreal / Dance) That's It

Any Shape, form or structure imaginable
by Chad Dembski,  Editor, Dance

The solo dance performance of That’s It at La Chapelle is a strong investigation of body transformation in all its possible forms. Brussels based creator and dancer Sabine Molenaar first premiered the piece in 2012 and has toured it extensively before making this its North American première. Her incredible virtuosity and control are displayed from the first image of sitting on the ground, back to the audience and arms wrapped in a mysterious way around her body. My first thought was that this was going to be a contortionist show of intense and unbelievable body moves. This became half true over the next 50 minutes where Sabine pulls, pushes, tears and transforms her body into every imaginable form.

News: (TO) Charles Sy wins top prize at COC vocal competition (Press release)

Tuesday, November 25, 2014

Captured, November 25, 2014

Manitoba Opera takes you for a fascinating look behind the scenes for its new production of Beethoven's only opera, Fidelio, now playing in Winnipeg.

Sunday, November 23, 2014

From the Archives: Sue Edworthy on emerging companies and marketing



Pretend It’s Going to Print
by Sue Edworthy
@sueedworthy
[PUB: Sue Edworthy is one of the country's top publicists and pundits on the subject. When I pulled this from the archives, I realized not one word of it needed to be changed or explained so that it is a fitting lesson to companies working in dance and opera as well. GLC]

Sue Edworthy Arts Planning offers Marketing + Communications + Planning – For Your Art. This is what my business card says I do. What I actually do doesn’t quite fit on a business card – what I actually do is the current culmination of nearly 20 years of working in not for profit arts and culture, all disciplines, all areas, but with a firm focus on marketing for your show or arts organization. I work with organizations from an independent artist putting up her first gallery show, to small arts orgs working their way towards operational standing, to government run arts orgs. I run (market?) the gamut.
In case you were wondering what else I do when I am doing that, I am Vice President of the Board of Directors for the Toronto Fringe Festival; Arts Advocacy Committee; Artsvote Toronto; Dora Jury, Harold Award recipient, ACCA member. I see a lot of plays, I see a lot of movies, I read a ton of books, I am what I call a “city enthusiast” and I talk to anyone who will listen about the amazing art and artists in our city and the impact all of this has in making Toronto an amazing place to live. I did a 12 hour art marathon earlier this year to prove it could be done.
That is some of what else I do. You may be wondering why this matters, but I’m telling you about it because it really kind of shows that I am fully immersed in the arts community in Toronto, and that MarComm for the arts is something I literally love to do. Some friends give me a time limit to talk about it, as I could go on for hours. I’m the type that gets mad when you mute the commercials, because I want to see them.
CharPo asked me to write an article on me and my company, and “what you see as marketing mistakes on the part of emerging companies”. And my first thought was, “where do I begin?” – Not in a snarky way, but in a “which ones should I talk about that would be most effective to hear about?”

Friday, November 21, 2014

Captured, November 21, 2014

This odd and troubling and beautiful teaser for That's It from Belgian Sabine Molenaar playing at La Chapelle in Montreal this week. The description of the piece says "logic has no place". Indeed.